One step further
The normal and weird Delta Clutch
by Bob Gulla
Delta Clutch
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It starts with a hum, then a chime, then a melodic vocal line. The drums kick
in, a string section, then a fantastic chord progression. What is it? It's a
Delta Clutch song called "One Step Further," one of the simplest, most sublime
pop songs out of Providence in a year. Then again, a song like this shouldn't
come as a surprise to those who have followed the band throughout their nearly
decade-long career. These days the band is celebrating the release of that song
and the seven-song EP which houses it, all of which recalls the skilled song
sculptures of revered artists like Westerberg, Squeeze, and Big Star. It's
called Too Normal, Too Weird.
"For us, there's a genuine love of what we do," says Everett. "We like how we
work together, we like the songs, and I think that really shows when you hear
us."
No kidding. Everett (vox), Chris Cugini (guitar), Nate Leavitt (guitar), Phil
Aiken (keys), and Paul Myers (drums), (they often switch instruments onstage),
are a seasoned, supremely talented, utterly dedicated bunch who have no doubt
enjoyed the peaks and valleys of a steadily on-the-rise band. Since coming
together back in the early '90s, they've issued a handful of recorded projects,
all graced with impeccable taste, unqualified musicianship, and stunning
melodies. It hasn't gotten them the recognition they deserve -- who gets that,
anyway? -- but it has provided them with some memorable moments along the
way.
"I think backing up Ronnie Spector at the Middle East a few months ago was
unbelievable," Everett says, listing a few high points. "She was so
entertaining, everyone was euphoric, and the mood helped us play one of our
best gigs." Everett also recalls with fondness playing with one of his heroes:
Alex Chilton. "He'd been something of an acquaintance for a while, but it was a
thrill to finally play the same stage with him."
Of course, for Delta Clutch, a band with modest expectations, families,
time-consuming day jobs, and tons of experience trying to crack the Big Egg,
the very act of putting a record out qualifies as a "high point." "I always
think of any recording we've ever done as the best time for me."
Surely, Too Normal, Too Weird rates as one of those times, if not just
because it's another Delta Clutch disc, because it's an immensely listenable,
totally out-of-fashion pop record centered around Everett's unparalleled
singing, understated guitar playing, and a bed of rosy rhythm. Recorded with
Tim O'Heir at Sound Station 7 in Providence and at Cugini's Appleman Studio
north of Boston, the record reflects the band's imminent maturity as recording
artists and musicians. Songs like "Ladderback" and "Din of Love," with their
subtleties and lush pop textures, stand out for two reasons: They're large,
lovely chestnuts for one, and because Delta Clutch worships at the altar of
organic, melodic pop. And we all know how out-of-favor that is.
"Working within this band," Everett explains, "has always been gratifying
because our body of work speaks for itself. We can come away with our songs.
That honesty speaks for us." It's not like Delta Clutch is a bunch newbies
emerging in the new millennium with an old-school sensibility. They all come
from an '80s indie-rock scene that combined grit with grace (Replacements),
power with poignancy (Hüsker Dü) and . . . well, you get the picture.
Everett himself played with Providence's revered Coat of Arms and Plan 9;
keyboardist Aikens spends some time with Buffalo Tom and Boston's Bathing
Beauties; Cugini first made waves with Chick Graning in Anastasia Screamed.
Together, the band exudes experience and chops, enough so that they remain as a
unit despite the rigors of holding full-time jobs. Everett, who lives, works,
and matriculates in Providence (with two young kids to boot), buses up to
Stoneham two or three times a week for practice and has been doing so for years
now. That's commitment. That's integrity. That's rock-solid dedication.
"In ways it's been disappointing, sure," admits Everett. "We sink a lot of
money into what we do. In terms of making it worth our while financially it
hasn't been working. To me, that's the ultimate success: being able to do this
full-time while making enough money to live. If some notoriety and fame
happened in tandem with that, fine. But if the band could feed itself, reach
more people, that's what we're shooting for. We're all first and foremost
musicians. We're old enough to come to terms with that. Bringing home the bacon
on the side is something we have to do. If we could do that within the band,
that would be ideal."
Over the next six months or so, the band will be reaching out for that ideal
opportunities, attempting to capitalize on the terrific achievement that is
Too Normal, Too Weird. "We try to stay as organized as we can and set
goals and stick to them," says Everett. "We never do, but it's nice to try!"
Delta Clutch will be at the Green Room in Providence on February 24.
WANDERING EYE. As I write this, Stone Soup raja Richard Walton is
headed to Iraq with a convoy of kindly souls. Their mission? To escort medicine
and medical supplies to that embattled nation. If everyone had a heart the size
of his the world would be a much better place. In his absence, the loyally
followed Windharp and the Fourth Street String Band will be play
Stone Soup, making happy music just perfect for the mid-winter doldrums. Show
time's at 8 p.m. over at Slater Mill. Follow the signs when you get to
Pawtucket and you're there. You can practically see it off the highway.
Blueblood's busy this weekend. Tonight (Thursday, 11) they'll be
rockin' from 7 to 11 at the new OverFlo's in Middletown, and on Friday, they'll
be at the always-fun Narragansett Café in Jamestown. Set time's from
9:30 to 1 a.m. and there's no cover. In between marathon sets, the band will be
finishing up their new CD, Only Time Will Tell. Stay tuned.
Jonathan Stark will be doing his thing at AS220 tonight, while the
similarly named Jimmy Jack Stark gets a high-proflie local gig over at
the Met Cafe opening for Frank Black and the Catholics. That one's on Friday
night.