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Poll positions
Notes on the BMP; Quiet Music Series; and more
BY BOB GULLA

Brazzaville

I sense a lot of anticipation out there for the results of the Best Music Poll. OK, I admit, there was some grumbling as well -- for a few things that may have been perceived as miscues: bands were placed in the wrong categories, bands omitted (of course). But the fact is, we tried to fit the best bands in town onto the ballot. The loud music slots fill up quick, right? Everyone loves loud. So we had to pull the ol' switcheroo and find a place for the deserving loud bands we couldn't fit in that category. That dilemma arose in a few different areas on the ballot.

We tried to honor effort as well. If a band is out busting its ass trying to punch a hole in the scene, well, it deserves recognition, an A for effort. Conversely, if you're a good student in school but don't participate much in class, you're gonna get points taken off your grade. Nobody just sits back and cruises through a semester and gets rewarded for it. It doesn't matter how good your band is. It's got to be out there. It's got to be something locals need to reckon with. All the bands on the BMP ballot are local forces, bands that are good for the scene, bands that fertilize their turf, bands that have the best chance of growing into something worthwhile. You can gripe about it -- that's what people like to do, and it seems it's what comes naturally out of many mouths. Hell, I'm a griper myself on occasion. But when those barbs fly around town, one mouth to one ear, and so on down the line, it's like a cancer. Shit spreads and it becomes very unhealthy. It's best to keep it positive. I guess that's enough of that.

Anyway, the voter turnout this year is excellent. It's really encouraging to see how each of the bands featured in the poll has tried to rally its constituents and urge them to vote. In fact, the sense of community surrounding each band, not just the ones on the ballot, is truly a testament to the bands and the support system they've established for themselves. It's also proof that, like a kite needs wind to get its tail off the ground, so too does a band. But when it's up, if the wind is steady, it stays up. Let's hope that the bands in town find enough support to stay up and flying. Does that sound cheesy?

TRAFFIC JAM. The futurock boys in Grüvis Malt are hitting town again, playing Lupo's this Friday. They're embarking on a tour of the Northeast in support of their Lakeshore Records debut, With the Spirit of a Traffic Jam. It's an all-ages show with Rane and Rocktopus. If you haven't seen 'em yet, Grüvis has a cool, progressive hybrid, part jazzy-fusion innovation, part rock, part jam, part hip-hop. On the new album, they added the able explorations of Incubus' DJ Kilmore to the mix. He's one of the hippest turntablists in rock, and was recruited to add scratches on deep album cuts "Nonsanity 2037X" and "Destination." We want to wish the sextet well on the tour -- send them off with a bang.

WHAT'S IN STORE? Now that the Crowns have faded into that tattooed graveyard in the sky, Jason Kendall has a little time to think. Yeah, there's his new band the Deterrents, but that hasn't gotten up to his usual warp speed yet. To take advantage of the lull, Jason is putting together a plan to bring bands into his place of employment, the In Your Ear record store on Thayer Street on the East Side of Providence. "I get tons of calls from bands looking for gigs," says Jason, "so I talked to [owner] Chris [Zingg] here at the store and we came up with a plan to hold in-store appearances!" The first event is on Tuesday (the 28th) at 5 p.m. It'll feature a band from North Carolina called Rocket 350, a good, downhome rockabilly crew in the spirit of the Crowns -- half straight-up, half revved-up. "It would be great to get people out and seeing touring bands in a different venue," says Kendall, who plans to book bands regularly at IYE. One future show will feature an all-girl indie outfit from Portugal.

QUIET RIOTS. Speaking of bookings, Jeffrey and Carin from post-folk luminaries Iditarod were sick and tired of trying to play their "delicate" music in noisy bars and clubs, so they did something about it. They've decided to helm, or "curate" a monthly series of quiet music at AS220 in one of the gallery rooms! The Quiet Music Series, an intimate live music serial, will be hosted by the Iditarod in the cozy upstairs confines of Providence's favorite art space. Be sure to mark your calendars for premier underground folk and hushed improvisation in a rarefied atmosphere. You missed the first installment; it happened yesterday. Though it's old news, it included the experimental hypnotica of Charalmbides from Texas, the trancey Iditarod, and psychedelic folksters P.G. Six from New York. Installment number two will go down on Thursday, June 20 and will feature Landing (CT), fisheyelens (Ottawa), and Tigersaw (MA). It's a cheap night out and a pretty innovative idea. Feel free to dive in, but don't bring your noisy friends.

WANDERING EYE. Tonight (the 23rd), the Marlowes will play the Blackstone, making Cumberland with the hop and skip from Providence. This Saturday at the Met Cafe, the Forgotten, a Bay Area band on BYO/TKO Records featuring members of Lars Frederiksen's Bastards, will headline a kick-ass punk extravaganza with the Ducky Boys and USM, as well as Providence's own Midnight Creeps.

Next Thursday (the 30th), Jake's Bar & Grille on Richmond has a pretty ambitious booking. Brazzaville, a hard-to-categorize confluence of bossa nova, prog pop, and quirky world rock, will take the stage. One of the pundits over at the New York Times called Brazzaville "vagabond pop for fans of Morphine, Tom Waits, Spain, Leonard Cohen, and Tindersticks," which is a nice string of alluring references. Apparently, the band is on a world tour via an old steamer filled with a rotating band of musicians and artists that will play port cities around the globe. The show starts at 9 p.m.

Planet Groove is working out a few new tunes and new bassist with whom to lay down their fat bottoms. Twenty-one-year-old Nick Wade is the brother of keyboardist Aaron Wade, and by all accounts is "a great addition to the Planet Groove family."

E-mail me with music news at big.daddy1@cox.net.

E-mail me with music news at big.daddy1@cox.net.

Issue Date: May 24 - 30, 2002